Ever since he was young, John Robison longed to connect with other people, but by the time he was a teenager, his odd habits—an inclination to blurt out non sequiturs, avoid eye contact, dismantle radios, and dig five-foot holes (and stick his younger brother, Augusten Burroughs, in them)—had earned him the label “social deviant.” It was not until he was forty that he was diagnosed with a form of autism called Asperger’s syndrome. That understanding transformed the way he saw himself—and the world. A born storyteller, Robison has written a moving, darkly funny memoir about a life that has taken him from developing exploding guitars for KISS to building a family of his own. It’s a strange, sly, indelible account—sometimes alien yet always deeply human.
From: www.randomhouse.com
“An entertaining, provocative and highly-readable story by a great storyteller…you will rethink your own definition of normal, and it may spark a new appreciation of the untapped potential behind every quirky, awkward person who doesn’t quite fit in.”
—New York Times blog
“Not only does Robison share with his famous brother, Augusten Burroughs (Running With Scissors), a talent for writing; he also has that same deadpan, biting humor that’s so irresistible.”
—ELLE magazine
“Dramatic and revealing…There’s an endearing quality to Robison and his story that transcends the “Scissors” connection … Look Me in the Eye is often drolly funny and seldom angry or self-pitying. Even when describing his fear that he’d grow up to be a sociopathic killer, Robison brings a light touch to what could be construed as dark subject matter…Robison is also a natural storyteller and engaging conversationalist.”
—The Boston Globe
“I hugely enjoyed reading Look Me in the Eye. This book is a wild rollercoaster ride through John Robison’s life–from troubled teenage prankster to successful employment in electronics, music, and classic cars. A kindly professor introduced him to electrical engineering, which led to jobs where he found techie soulmates that were like him. A fascinating glimpse into the mind of an engineer which should be on the reading list of anyone who is interested in the human mind.”
—Temple Grandin, author of Thinking in Pictures and Animals in Translation
It was inconceivable to me that there could be more than one way to play in the dirt, but there it was. Doug couldn't get it right. And that's why I whacked him. Bang! On both ears, just like I saw on The Three Stooges. Being three years old was no excuse for disorderly play habits.
For example, I would use my mother's kitchen spoon to scoop out a ditch. Then, I would carefully lay out a line of blue blocks. I never mixed my food, and I never mixed my blocks. Blue blocks went with blue blocks, and red blocks with red ones. But Doug would lean over and put a red block on top of the blue ones.
Couldn't he see how wrong that was?
After I had whacked him, I sat back down and played. Correctly.
Sometimes, when I got frustrated with Doug, my mother would walk over and yell at me. I don't think she ever saw the terrible things he did. She just saw me whack him. I could usually ignore her, but if my father was there, too, he would get really mad and shake me, and then I would cry.
Most of the time, I liked Doug. He was my first friend. But some of the things he did were just too much for me to handle. I would park my truck by a log, and he would kick dirt on it. Our moms would give us blocks, and he would heap his in a sloppy pile and then giggle about it. It drove me wild.
Our playdates came to an abrupt end the following spring. Doug's father graduated from medical school and they moved far, far away to an Indian reservation in Billings, Montana. I didn't really understand that he could leave despite my wishes to the contrary. Even if he didn't know how to play correctly, he was my only regular playmate. I was sad.
I asked my mother about him each time we went to the park, where I now played alone. "I'm sure he'll send you a postcard," my mother said, but she had a funny look on her face, and I didn't know what to make of it. It was troubling.
I did hear the mothers whispering, but I never knew what they meant.
".. . drowned in an irrigation ditch. . ."
".. . the water was only six inches deep. . ."
".. . must have fallen on his face. . ."
".. . his mother couldn't see him, so she went outside and found him there. . ."
What is an irrigation ditch? I wondered. All I could figure out was, they weren't talking about me. I had no idea Doug was dead until years later.
Looking back, maybe my friendship with Doug wasn't the best omen. But at least I stopped whacking other kids. Somehow I figured out that whacking does not foster lasting friendship.
“As a functional Aspergian adult, one thing troubles me deeply about those kids who end up behind the second door. Many descriptions of autism and Asperger’s describe people like me as “not wanting contact with others” or “preferring to play alone.” I can’t speak for other kids, but I’d like to be very clear about my own feelings: I did not ever want to be alone. And all those child psychologists who said “John prefers to play by himself” were dead wrong. I played by myself because I was a failure at playing with others. I was alone as a result of my own limitations, and being alone was one of the bitterest disappointments of my young life."
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“And my experience in the music scene had shown me that there were places for places in the world where misfits were welcome.”
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“Asperger’s is not a disease. It’s a way of being. There is no cure, nor is there a need for one. There is, however, a need for knowledge and adaptation on the part of Aspergian kids and their families and friends.”
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“Sociopath” and “psycho” were two of the most common field diagnoses for my look and expression. I heard it all the time: “I’ve read about people like you. They have no expression because they have no feeling. Some of the worst murderers in history were sociopaths.”
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